ibert flute concerto program notes for ibert

The central and longest movement, marked 'Elegia', is a serious lament on the senseless killing. Still, Bryan's flute dances along within the proceedings at a fairly good clip, the music building to something of a frenzy, I assume representing the boy's death. Interestingly, each of the five movements provides the listener with a different mood, so after the brief, slow introspection of the first movement, handled mostly by the flute, we get a stricter tone in the second movement, in which the orchestra plays a much bigger part. The flute enters almost immediately, wistful and slightly melancholy, Bryan giving it an achingly beautiful turn. She handles the Rouse Concerto in a like manner. The work appears to have now become a part of the general flute repertoire, meaning that if you are a flutist (or flautist, if you prefer), you will probably perform and maybe record the piece at some point in your career.īryan is a flutist of the first order, her playing sensitive and flowing. The Concerto is sweet and largely melodic, Rouse being something of a Romantic, and it's written in an unusual (well, unusual for a concerto) five-movement arrangement. The Concerto was Rouse's response to the death of a two-year-old English boy murdered by two older boys. Things begin with Rouse's Flute Concerto (1993), which he wrote as the continuation of a series of pieces based on deaths that profoundly influenced him. So, the present album comes with a prestigious pedigree.

As for Linn Records, you may know their high-end audio products, especially the famous Linn-Sondek turntables, more than you know their recordings, but I can assure you the recordings are every bit as good as their turntables, amps, preamps, speakers, and the like. Jac van Steen (b.1956) is a Dutch conductor who has been the Music Director of Het Nationale Ballet in Amsterdam, a faculty member at the Royal Conservatory of Music and Dance in The Hague, the Chief Conductor of the Nürnberger Symphoniker, the Music Director of the Neues Berliner Kammerorchester, the Music Director of Deutsches Nationaltheater Weimar, the Chief Conductor of the Staatskapelle Weimar, the Chief Conductor of the Orchester Musikkollegium Winterthur, the Principal Guest Conductor of the BBC National Orchestra of Wales, and currently the General Music Director of the Dortmund Philharmonic Orchestra. Katherine Bryan is the Principal Flute of the Royal Scottish National Orchestra and for the past decade or so has also been pursuing a successful solo career in the concert hall and on recordings. He's a prominent American composer currently teaching at the Juilliard School, who has seen his music recorded by nearly a dozen record labels. Let's begin with Christopher Rouse (b.1949). There may be a few names here with which you're unfamiliar.

Ibert flute concerto program notes for ibert